I can destroy you’re a cryptic title. It could be a threat, a warning, or simply an observation. But throughout the series Michaela Coel phenomenal HBO, whose final was broadcast on Monday, the phrase more like a collection of applications functions. Who talks to whom, who is that “I”, and who is the “you”? You “can” mean “might”, or grant you a permit? Even “destroyed” has a certain ambiguity; we are talking about their psyche already crumbling completely a person or tear, to make them stronger, better, healthier wipe for reconstruction? After a full season in which Coel dropped to almost their title to explain, but the complexity embraced at every opportunity, the answer to all of these and / or questions that appear. The semi-autobiographical story of his character, Arabella, zigzag not crash accident as much as it expands to absorb their experience in abundance. At the end of the first has a pink hair Londoners have traveled to Italy to see a man who is clearly not worth their time; a goofball performs the service calls, while a common understanding of the wide open toilet paper roll with the door; an author to submit the manuscript for his first book, but can not resist a night of partying at the bar with friends; and finally, a young woman struck by the sudden realization that were raped during this trip. In the 11 episodes that follow, we meet many more Arabella: the party girls whose friendships are not as strong as she thinks warriors Me Too, influencers, social media, adults scarred by aspects of his childhood woman from her consciousness is blocked. Your approach to life is shifting more often than their hairstyle evolving. And yet, as the final underlined represent the phases that pass through non-linear or otherwise; they are cumulative, even if they contradict one another. So if the series ends with the penultimate episode Arabella her rapist to recognize, it is obvious that revenge would only make hollow resolution. Before acting, must weigh new author each possible outcome because it has reached a crucial point in their lives, and their decision, the type of person she is dictated. It is a universal moment. It not all survived rape, but we all have formative experiences that we have not even answer, ideally by growing in self-conscious versions of ourselves, or penalize make eligibility and then stagnate. As Coel said recently in an interview: “The show calls for introspection” so it is right that most of the final at the Arabella wants writerly imagination. As these touchstones film takes time warp, sliding doors and Groundhog Day with new, destroy from Palm Springs to Babushka offer more possible endings. The episode titled “Ego Death” after the Jungian concept of total mental transformation and fictional show bar of the same name, opens viewers might at first, cheering with the scenario oil slick revenge. Wearing a wig platinum and general lack, our hero lurks at the bar with her best friend Terry (Weruche Opia) and their wrath friend Theo problematic childhood (Harriet Webb). “A criminal again and again the scene of the crime,” said Arabella. “But who is the criminal, you or me?” When she draws her attacker, David (Lewis Reeves), in the bathroom, where he raped her, Theo has emerged with a syringe to him with the same drug dissociative injected drinks Women slips, Because of me. But since this is not really a spy movie, things start to go wrong. David staggers out of the bar with his underwear that could be used as evidence, so that the women to follow him through the streets, and take you back as soon as it breaks. At this point, the Arabella can not resist the temptation to unzip his pants: “Have you seen my thing,” he says. “I want to see her thing.” And ‘here that Coel audience with the absurdity of the standard parcels to rape revenge how to deal with it turns the victims into the image of her attacker and perpetuates a cycle violence and humiliation. When Arabella then loses control, accidentally David intends to death and his body home draws under the bed to hide, suggests that the conclusion intentionally ridiculous that if you really horrible to make something of her attacker, she will never be him course. The second scenario begins in a perfect world we would simply acknowledge Arabella David at the bar and call the police, to ensure justice work. But the reality interferes again when Terry points out that it has no evidence to support their claims. (Coel makes the sad likelihood that a black woman with a pull white man less would have been even more serious grip remains unrealized. What most of the rape charges) The alternative plan Terry’s doors in place a total disaster, Arabella require to counter cocaine to get high Davids Downers date-rape thing Terry enough time to call the police in bar bathroom where they actually take it in place. Before that can happen, David is the situation around Arabella. He throws them on their small privileged issues in a tightening world, put as much homelessness and war and into the mouth of her rapists this topic where he continues his profound stupidity. However, it allowed his fault. She takes him back to his seat, have a heart to heart, and then the police come to arrest him anyway. So much for the care through mutual understanding! The third time was completely surreal. Ego Death is strangely empty. Arabella David buys drink, they do and then takes him home, where they have sensual sex and she appears to him to penetrate. You fall asleep in his bed and waking up together the next day. It would be otherwise, Coel seems to ask whether Arabella had all the power? If women were the dominant sex? But that’s not what Arabella really wants, either. “I will not go if I say,” David tells them when they lie side by side in the morning. This, it turns out, the result is that you should look. She needs him evicted from their head out of the unconscious, where she lives rent-free was. “Go,” he finally says, and the other two versions of the man who dreamed deaths David and the repentant David follow the submissive David out the door. Each of these scenarios, which are, to draw conclusions about the book Arabella can not really end can sort them who and what they say, begins with what looks at first like a scene disposable. Tell her sweet, house mouse mate Ben Room (Stephen Wight) David hunts down and he is in a quiet evening in the garden, bird watching and YouTube videos about loneliness. But in the past version and probably true of this fateful night, she decides to stay home with Ben. She really has banned David from their lives. some loose were rattled late in my head (yet. Are Arabella and Ben? My sense is always more than friends who Coel does not mean only to leave to prevent this perhaps another man in a deus ex machina. And ‘yet must mean something friend Arabella Kwame starring paapa Essiedu, in the previous episode Ben asks, “have you ever got the feeling that someone is really right for you, but you’re not the person you need to for that person” Meanwhile, here’s another disturbing question: this resolution is not) the flash-forward several months, and his book is a success, their friendship with Terry never leave David free to maintain other more strongly hurt women? and Terry’s in love with a man trans and channel the nerves in one spot, where she is an authentic performance as a woman who has a panic attack. In a sense, the narrative and also in a moral sense, for the character of Arabella and Arabella writers and Coel writer, revenge is a crutch. Trying to other people to understand the cruelty, a dead end, a waste of energy. Although it is a difficult way the path of peace with the terrible things they do for us Coel suggests, it is that teach adversity to make us who we are. And the “you” that has destroyed and recreated at the end? Readers, we are.