Consciousness is, at best, a mixed blessing. Sure, it’s what humanity-that which defines us, allowed to make decisions that they feel the emotions that shape society, create art, to understand the world around us. But opens authoritarianism, inequality, war, genocide, the systematic destruction. And ‘what you dream of and-since every perfect society or work Drudge made no individual self-satisfied require us utopia would-what keeps the romance of the reach of. The state futuristic world classic novel by Aldous Huxley’s Brave New World, which NBC Universal new streaming service Peacock comes after years in development limbo TV, she believes Paradox solved. Here, each person is genetically engineered to be a certain caste of an ideal member: Alpha is beautiful, brilliant leadership. Epsilon are naive manual workers. The rest fall somewhere in between. Each performs a vital function rank, has met his material needs and conditioned their lot in life above all others prefer. Family and monogamy are illegal. Pregnancy is obsolete. And to control the X-factor of brain chemistry, there is soma, a drug that change their mood forces (depending on dosage) is like Xanax or ecstasy. The world was in fact hacked to eliminate dissatisfaction awareness. Showrunner David Wiener (Homecoming) believes that the institution in the world of Huxley intact, and fills it with mostly the same characters. Entangled Beta-Plus incubation workers Lenina Crowne (Jessica Brown Findlay Downton Abbey) for Alpha-Plus adviser Bernard Marx (Game of Thrones’ Harry Lloyd) sent in a sexual relationship, which has become exclusive, for a scolding. After a first meeting in which a holographic repeating their appointments monogamous (Brave New World has so much sex as something strange on premium cable) humiliates, form a bond based on mutual stirrings of dissatisfaction. Away from the big, pink Lenina prospect and Bernard hometown of New London, a young man named John (Solo Star Alden Ehrenreich) lives with his mother (Demi Moore, nice to see, but not at full capacity) in a remote area populated by called Savages, where religion, poverty and family there. In the novel, this place is a kind of American reservation. Pavone version combined with a theme park, where tourists are world was to learn how happy they are. Residents play caricatures of themselves Redneck reenactments, in a case of Black Friday in a superstore. But one of the wild militant faction rebels against this minstrelsy. Brave New World meets West World, until the story in New London moves abruptly back. The series looks gorgeous, and expensive, although its brutalist aesthetic fiction is a bit ‘generic. Performance is solid, too; Ehrenreich, in particular it lends his race charm character. Following are fast and soft. But something is missing from the core of the show. Television lives of the rich, but largely because it releases the series in an area of eccentricity, I fought in this pile are invested. to make a rare burst of anger or passion is not a complete person. That was not a problem for Huxley, because his Braves New World a philosophical novel in which the characters to criticize ideas mainly serve as a vehicle, the cultural entertainment captured when it was published in 1932 for the performance Gospel Soviet communism Henry Ford . What’s odd as tame what the author is issued a “negative utopia” called today. While some prescient aspects such poignant (the prevalence of psychiatric drugs, technology, privacy link at the expense constant allows) resonate, it is a sad joke of 2020, it has become difficult to argue against a society free from want, from violence , personality cults and poignant, the disease. The show hardly any attempt at such a case one to make, through its embassy confusing make New London kind of fun place to be and at any depth with the horrors of a culture to discover mistakes that so trivial produces satisfaction to create effective than no inspiration, the ‘art needs, as chilling as he is to find the state of the world, Huxley (the racist characterizations prevents Peacock of a post-racial future servant Tale style implies, while the cables mostly white casting) have not romanticize Selvaggi, either. wrote in a preface to the second World War, described the two companies as manifestations of madness and regret expressed that it be seen by completing an alternative, healthy society in which work to citizens, does not reach the real purpose of human life “he had philosophical completeness “. He would revisit this idea in his 1962 novel Island. considering how inert Brave New World as a serialized TV and feels the urgency of our culture is thirsty for genuine utopian thinking I wish instead that he had received sight.